This week's report that as many as 15 percent of the UK population never listen to BBC radio or watch BBC television seems to have taken some observers by surprise. In fact, given the huge number of alternatives now available to the viewer and listener, a reach of 85 percent is quite an achievement.
In the 1970's, before the start of satellite television, audiences as high as 23 million were recorded for some of the top programmes on the main TV channel BBC1. Recently the soap opera East Enders has recorded figures only one third of that. Domestic subscriptions to British Sky Broadcasting are now approaching 8 million, which means something like 25 million individuals have access to a great deal more choice.
Competitive or complementary?
Similarly, the BBC's radio channels now compete for listeners with nearly 300 commercial stations across the country. But that poses a problem. Should a public broadcaster be competitive or complementary to services being offered by commercial stations? Here in the Netherlands, Deputy Minister for Culture and the Media Medy van der Laan doesn't think the public broadcasters should be competing with the commercial stations. Her views are shared by some others in the Dutch parliament. The media spokesman for the social-liberal party D66 said this week that the public broadcaster 3FM was too much like a commercial station during the day, and needed to have more "news, opinion and education" in its programmes.
Part of the reason for the identity crisis in Dutch public broadcasting is the result of a political decision some years ago to abolish the licence fee and fund the public broadcasters through general taxation. I said at the time, and events have subsequently proved me right, that this was a slippery slope. First of all, members of the public no longer receive an annual reminder that they are paying for radio and TV services, and secondly the government is able to cut its subsidy to the public broadcasters more easily. In addition, although the role of the Dutch public broadcasters is defined in the Media Law, there are borderline cases where the broadcasters believe something falls within their remit, while the government believes it doesn't. A recent example is the dispute over the young peoples' station Colorful Radio.
The broader picture
Across the rest of Europe, public broadcasting is being threatened in a variety of ways, and for a variety of reasons. The European Federation of Journalists (EFJ) is so concerned that it believes the time has come to "sound the alarm" over the future of the European model of public service radio and television. It says public broadcasting is under attack in almost every country of the region. "We are extremely concerned over these developments. There appears to be a growing number of attacks on the fabric of public service broadcasting," said EFJ Chairman Arne König. "These attacks are not acceptable not just because they undermine employment rights and working conditions, but also because they undermine the quality and structure of public broadcasting".
Service
I think the use of the word "service" by Arne König is significant, because I believe it is crucial to define what sets the public broadcasters apart from commercial competitors. When I started working at the BBC in the 1970's, the term "public service broadcaster" was in general use. Somewhere along the line, and I must confess I don't know exactly when or why, the word "service" was dropped, and in Europe now we have "public broadcasters". To many people, that simply means a broadcaster funded by public money, with no reference to its function.
International broadcasters, including Radio Netherlands, generally still use the word "service" in their announcements, and I like to think we have a clear idea of what we're here for. You can read our mission statement here. Of course, we don't have commercial competitors in our own country trying to reach the same audience. But we keep a close watch on what the other international broadcasters do, and we play a full and active role in the organisations, meetings and conferences for our industry.
Quality as well as quantity
I would like to see the word "service" reintroduced to define the role of all Europe's public broadcasters. It will help concentrate the minds of those who work in the industry on the fundamental reason we're here. The increase in the number of commercial broadcasters in Europe means there's a higher proportion of people working in the industry who have come from a commercial background, bringing with them the concepts that are essential if you're working in the commercial sector, principally that audience figures are extremely important. Trying to attract the largest possible audience isn't in itself a bad thing, but it might not be the only factor that a public broadcaster needs to consider.
Here on the website, I often remind colleagues that simply counting page views, which seems to be the way most websites gauge their "success", does not give us the whole picture. We should also know who exactly looked at the page, what they thought of it, how it influenced their thinking on a particular subject, and so on. I call that qualitative, as opposed to quantitative, feedback. The same should apply to radio and TV programmes produced by the public broadcasters. It's surely better to positively influence a smaller number of people than to leave a larger number of people completely unmoved. There's no doubt in my mind which is the better service.
Disclaimer: The views expressed in this article are the personal views of the author, and do not necessarily represent the opinions of Radio Netherlands.
